Musings on technology and culture by a disciple of Marshall McLuhan, Neil Postman and Claude Lévi-Strauss
Saturday, October 6, 2012
Monday, September 24, 2012
Dredd 3D!
What would it be like to observe someone fall 200
stories in slow motion if you were the floor they land on? This is one of the
important questions addressed by Dredd 3D, the latest attempt to bring a comic
book icon to the big screen.
Long on graphic depictions of violence (how many
different ways can you blow a man’s head off?) but short on originality, Dredd
3D takes place in a distopic future where it seems that our current economic and
environmental policies have condemned our descendents to live in a sort of hyper
East LA. As police, judge and executioner, Dredd (Karl Urban looking
shell-shocked under a perma-helmet) has the combined power of all three branches
of our current government, and like many campaign donors, he is not required to
reveal his identity. Ghetto block justice replaces frontier justice as Dredd and
his psychic protégé (Olivia Thirlby who isn't given the opportunity to hide
behind a mask) deal out life and death sentences and then summarily carry them
out with their voice-activated Swiss Army side arms. Or maybe he has an
iPhone25.
Things start out all guts and gory but then go
downhill from there as the Dredds capture a key member of a mob boss Ma-Ma’s
(Lena Headey wearing her scars quite well, thank you) drug ring and rather than
just dispensing their justice on the spot (why not here, why not now?) they
threaten to take him back to headquarters for further questioning. Oh what
secrets he’ll reveal! This can’t be allowed by Ma-Ma and she proceeds with a
lockdown of her own, sealing off the 200 story building with mega blast doors
and blocking all transmissions. This of course is not as big a deal in this future distopia than the secret Ma-Ma wants to keep: she has a new Slo-Mo drug to bring to market. Yes, taking over an entire apartment block will definitely attract less attention. What’s a Judge to do? With no access to the Law
Enforcers’ iCloud and running low on ammunition, it’s survival of the
Dreddest.
This type of gritty cell block paranoia was handled
better in Attack the Block which at least had a sense of humor. As other reviewers have noted, much of the same ground was covered to better effect in the recent Indonesian film The Raid: Redemption. If it’s true that
science fiction is written to prevent the future rather than to predict it,
Dredd 3D gives us a solid case against future
sequels.
Wednesday, September 12, 2012
The Tedium is the Message?
My presentation at the New York Public Library Authors Series: "The Tedium is the Message: Communicating
and Creating with the New Social Media" September 4, 2012 is on Slideshare
Friday, September 7, 2012
Here at last in one post are all the great reviews, awards and notices Executive Severance has earned!
First there is Jerry Seeger's insightful review,"A Novel Written in Tweets" where he notes:
"There were occasional tweets that I sat back and admired just for their economy. Wee tiny poems. One thing for sure, doing a story in this medium requires skill (and the willingness to drop the occasional punctuation mark).
It is a thought-provoking story, not so much for what it says, but for what it is. Which is something the story itself tells us."
Leslie Wright's wonderful book review in Blogcritics and the Seattle PI:
"Writing a novel using twitter seems such a daunting task, and yet Blechman persevered and did it with certain panache."
Glynis Smy's fantastic indie book promoting page where she celebrates authors and their books and many thanks to everyone over at Indies Unlimited for their support!
Robert Barry Francos' terrific take on the Twitter novel genre:
"The book is a fast read, short and sweet, but it is worth the experience. If the reader is not laughing or wincing at the pun, or noting a particular reference, you are certainly enjoying the easy flow of the novel.
Throughout the book, there are a number of illustrations that are perfectly suited for the theme, done by crack cartoonist David Arshawsky."
And of course, there was the Mary Shelly Award for Outstanding Fictional Work from the Media Ecology Association!
Finally, thanks again to Paul Levinson, Marleen S. Barr, Marvin Kitman and Michelle Anderson for reading advance copies of Executive Severance and providing wonderful jacket blurbs:
"A delightful 'twitstery' - a mystery written in real time Tweets - that is compelling, entertaining, and shows off what can be done in the 140-character form with style and mastery. Blechman's delight in the language shows in every tweet - that is to say, every thread of the story. His plot is tight, tingling, and diverting. Poe would have been proud of the new form Blechman has given to the mystery story."
-Paul Levinson, author New New Media (now in its 2nd Edition) and The Plot to Save Socrates
"Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery--engage with Blechman's story which signals the inception of a new literary art form.”
- Marleen S. Barr, author of Envisioning the Future: Science Fiction and the Next Millennium
"A He Dunit. Sometimes a little verbose, but OMG this is the best twitstery I ever read. It's got everything: narrative drive, mystery, comedy, thrills, tension, laughs. Blechman is on to something, a genre as important to literature as the invention of haiku in rhyme. ..."
- Marvin Kitman, author, The Man Who Wouldn't Shut Up: The Rise of Bill O’Reilly
“Embracing the challenges found in publishing via the medium Twitter, Bob Blechman’s super silly story Executive Severance is stuffed with punny dialogue, clever character conditions, and a total lack of adherence to the old “rules” of storytelling. It’s a meaty tale told in deliciously rare, bite-sized chunks that I'd recommend for consumption to anyone hungering for fiction that satisfies. Well-done, Bob!”
- Michelle Anderson, mediaChick, author of The Miracle in July - a digital love story
Tuesday, September 4, 2012
TODAY All Your Twitter Questions Are Answered!

Is Twitter dumbing us down? Messaging via Twitter has been called tedious, mundane and often "TMI" (too much information). Though slides, video clips and discussion, the author, a media scholar and published Twitter novelist, explores of the power and potential of communicating through Twitter.
Among the topics examined are celebrity Tweets, marketing via Twitter and Twitter as an artistic medium. As an example of a growing effort by writers and artists to develop the creative potential of this new social medium, the author will read from Executive Severance, his fast, funny murder mystery composed entirely in Twitter. A Q&A session will complete the evening.
Friday, August 31, 2012
I'll Be Speaking About One of These Characters at the New York Public Library Tuesday 9/4/12 6:30PM
Wednesday, August 22, 2012
Over at Muddled Ramblings and Half-Baked Ideas Jerry Seeger has written a terrific review of Executive Severance!
"There were occasional tweets that I sat back and admired just for their economy. Wee tiny poems. One thing for sure, doing a story in this medium requires skill (and the willingness to drop the occasional punctuation mark).
It is a thought-provoking story, not so much for what it says, but for what it is. Which is something the story itself tells us."
"There were occasional tweets that I sat back and admired just for their economy. Wee tiny poems. One thing for sure, doing a story in this medium requires skill (and the willingness to drop the occasional punctuation mark).
It is a thought-provoking story, not so much for what it says, but for what it is. Which is something the story itself tells us."
Friday, August 17, 2012
Marshall McLuhan Wrote in Tweets!
Just received my brand new copy of Paul Levinson's New New Media (2nd Edition).
Quickly looked for my name and found this on p. 40:
"But we may already have a glimpse of one of the new
new media forms that Twitter is engendering or flipping into. Robert K.
Blechman's Executive Severance
(2012), described as a 'twitstery,' is a novel written entirely on Twitter,
once a day, one tweet at a time...Twitter the new medium has engendered a
genuinely new kind of novel, one that could not have existed before Twitter.
The novel created in Tweets on Twitter completes the cycle started by McLuhan,
who wrote in tweets before Twitter was born."
Friday, August 10, 2012
Indies Unlimited: The week's Flash Fiction Winner is Robert K. Blechman!
My entry to the Indies Unlimited Flash Fiction Contest, Dog Day Afternoon, has won!
Sunday, July 29, 2012
Monday, July 9, 2012
Indies Unlimited
congratulates Robert K. Blechman for winning the 2012 Mary Shelley Fiction Award for Executive Severance!
About Indies Unlimited
It is the mission of Indies Unlimited to celebrate independent authors; to help them build their followings; to provide a platform for members of the independent author community to share and exchange ideas, knowledge, expertise and frustrations; and, for readers and reviewers to become exposed to the amazing depth and array of talent in the indie community.http://
Thursday, July 5, 2012
What is the problem for which Executive Severance, the Twitter-composed comic murder mystery novel, is the solution? http://amzn.to/zkkuFU
Friday, June 29, 2012
It's Not Too Late To Add Executive Severance to your 2012-2013 Syllabus!
Tweet Tweet!
Who’s there?
My random thoughts.
“My random thoughts” who?
My random thoughts that I just tweeted.
Now that we've got all that humor out of the way, I'd like to have a serious talk with my fellow educators about including Executive Severance in your 2012-2013 social/communication/media course syllabus.
Hello. I'm Robert K. Blechman.
Perhaps you've seen my video “A Model Media Ecologist” on YouTube. Maybe our paths have crossed at Media Ecology Conventions or even on the campus of your own institution where I may have taught as an adjunct professor or as a visiting lecturer.
I'm here today to talk to you about Executive Severance, my Twitter-composed comic mystery novel that is taking the media world by storm. A review in the Seattle Post-Intelligencer noted:
"Writing a novel using Twitter seems such a daunting task, and yet Blechman persevered and did it with certain panache."
Some of you may be digital natives, while others are just visiting. You stand in front of your lecture halls and seminar rooms and wonder, “What are all these “millennials” doing with their media? What are they doing in my class instead of listening to my lecture? How can I, a print-biased educator, make a connection?”
The answer is as simple as a 140-character tweet. Add Executive Severance to your next course syllabus. A noted educator has observed that: “Executive Severance, while a work of fiction, is delightfully full of references to Media Ecology, and especially to Marshall McLuhan. You don't have to be a media ecologist to love Executive Severance, or laugh at Blechman's extraordinary sense of humor, but if you are now or ever have been one, you will get a great deal of added enjoyment from your reading experience.”
That’s the long and the short of it. (And in Twitter we prefer the short.)
But let me leave you with one more thought. This complete Twitter narrative, with wonderful illustrations by California artist David Arshawsky, is part of what I expect to be a number of efforts by writers and artists to explore potential creative uses of the new social media. With send-ups of the murder mystery genre, social media conventions and cell phone behavior, Executive Severance has been called "compelling, entertaining, and shows off what can be done in the 140-character form with style and mastery."
And, for a limited time, and at no additional cost to anyone, if you do include Executive Severance in your 2012-2013 syllabus, I will come to your class and share my experiences writing a Twitter novel. For a slight additional cost I will not come.
So, my fellow educators of the world wide web, THROW OFF YOUR PRINT SHACKLES AND UNITE around Executive Severance as a core text for your 2012-2013 syllabus!
Thank you.
Who’s there?
My random thoughts.
“My random thoughts” who?
My random thoughts that I just tweeted.
Now that we've got all that humor out of the way, I'd like to have a serious talk with my fellow educators about including Executive Severance in your 2012-2013 social/communication/media course syllabus.
Hello. I'm Robert K. Blechman.
Perhaps you've seen my video “A Model Media Ecologist” on YouTube. Maybe our paths have crossed at Media Ecology Conventions or even on the campus of your own institution where I may have taught as an adjunct professor or as a visiting lecturer.
I'm here today to talk to you about Executive Severance, my Twitter-composed comic mystery novel that is taking the media world by storm. A review in the Seattle Post-Intelligencer noted:
"Writing a novel using Twitter seems such a daunting task, and yet Blechman persevered and did it with certain panache."
Some of you may be digital natives, while others are just visiting. You stand in front of your lecture halls and seminar rooms and wonder, “What are all these “millennials” doing with their media? What are they doing in my class instead of listening to my lecture? How can I, a print-biased educator, make a connection?”
The answer is as simple as a 140-character tweet. Add Executive Severance to your next course syllabus. A noted educator has observed that: “Executive Severance, while a work of fiction, is delightfully full of references to Media Ecology, and especially to Marshall McLuhan. You don't have to be a media ecologist to love Executive Severance, or laugh at Blechman's extraordinary sense of humor, but if you are now or ever have been one, you will get a great deal of added enjoyment from your reading experience.”
That’s the long and the short of it. (And in Twitter we prefer the short.)
But let me leave you with one more thought. This complete Twitter narrative, with wonderful illustrations by California artist David Arshawsky, is part of what I expect to be a number of efforts by writers and artists to explore potential creative uses of the new social media. With send-ups of the murder mystery genre, social media conventions and cell phone behavior, Executive Severance has been called "compelling, entertaining, and shows off what can be done in the 140-character form with style and mastery."
And, for a limited time, and at no additional cost to anyone, if you do include Executive Severance in your 2012-2013 syllabus, I will come to your class and share my experiences writing a Twitter novel. For a slight additional cost I will not come.
So, my fellow educators of the world wide web, THROW OFF YOUR PRINT SHACKLES AND UNITE around Executive Severance as a core text for your 2012-2013 syllabus!
Thank you.
Wednesday, June 13, 2012
Executive Severance wins 2012 Mary Shelley Award for Outstanding Fictional Work!
Executive Severance wins The 2012 Mary Shelley Award for Outstanding Fictional Work at The 13th Annual Media Ecology Association Convention at Manhattan College in Riverdale, NY!
Past award winners:
•2003 - Paul Levinson for The Consciousness Plague
•2004 - William Gibson for Pattern Recognition
•2005 - John G. McDaid for Keyboard Practice, Consisting of an Aria with Diverse Variations for the Harpsichord with Two Manuals
•2006 - Rick Moody for The Diviners
•2007 - Janna Levin for A Madman Dreams of Turing Machines
•2008 - Jean-Claude Carrière for Please, Mr. Einstein
•2009 - Geraldine Brooks for People of the Book
•2010 - Steve Tomasula for TOC (a new media novel)
•2011 - Chuck Wachtel for 3/03
Past award winners:
•2003 - Paul Levinson for The Consciousness Plague
•2004 - William Gibson for Pattern Recognition
•2005 - John G. McDaid for Keyboard Practice, Consisting of an Aria with Diverse Variations for the Harpsichord with Two Manuals
•2006 - Rick Moody for The Diviners
•2007 - Janna Levin for A Madman Dreams of Turing Machines
•2008 - Jean-Claude Carrière for Please, Mr. Einstein
•2009 - Geraldine Brooks for People of the Book
•2010 - Steve Tomasula for TOC (a new media novel)
•2011 - Chuck Wachtel for 3/03
Tuesday, June 5, 2012
The Thirteenth Annual Convention of the Media Ecology Association
I'll be part of a panel and a book reading/signing at the 13th Annual Media Ecology Association Convention this Saturday and Sunday, June 9 & 10!
I will be signing copies of Executive Severance!
If you come up and ask I will include, at no additional charge, a special Executive Severance book plate sticker!
I will be signing copies of Executive Severance!
If you come up and ask I will include, at no additional charge, a special Executive Severance book plate sticker!
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